“Early though the laurel grows . . . ”

Facebook is a puzzlement.  I hardly ever understand what is going on.  My friend Sue recently sent me an important private message—and Facebook didn’t notify me.  Isn’t it supposed to do that?  If she hadn’t mentioned it in a “regular” post, I wouldn’t have known.  And I never understand who sees what or where anything shows up.  But, Facebook has done one really good thing:  it has kept me in touch with many former students, which is a delight.  And recently there was a post from Alyssa, one of my favorites.  She put up a picture of two books, The Meditations of Marcus Aurelius and A Shropshire Lad by A. E. Housman, that I must have discussed in class or perhaps even given out copies; I did that sometimes.  That simple post sent me on a trip down memory lane.

A Shropshire Lad was the first book of poetry I ever bought.  I still have it and there’s a photo of that book above.  That edition is copyrighted 1950, but I know I didn’t buy it then; in the 50s I was still a hick down on the farm and certainly wasn’t out buying poetry, although I was already reading it in school books.  I’m guessing I got it in the early 60s; I have a very faint recollection that I got it at an English language book store in Hong Kong or Kowloon (still a British colony in those days).  But I’m not sure.  I could have got it in Oklahoma City or Washington, D.C.  My memory, like the color in the cover of the book, has faded seriously with time.

Oh but I loved that book and those poems!  Instinctively, I think I understood that I had more in common with Housman than just poetry, but that revelation was to come much later.  Somehow, those simple poems would waft me away to someplace—undefined—where life was different, and oh so melancholy.  These are lovely poems, beautiful of language, but they have a great sadness to them.  Just what a young 20-something wants as he—I, that is—mooned about steeped in self-pity.  Who misses those years?

The most famous poem from the book is probably “XIX: To An Athlete Dying Young”: 

     Smart lad, to slip betimes away

     From fields where glory does not stay

     And early though the laurel grows

     It withers quicker than the rose.

And one of my favorites and, perhaps, a poem written in reference to Housman’s great unrequited love for Moses Jackson, is “XIII”:

When I was one-and-twenty

       I heard a wise man say,

“Give crowns and pounds and guineas

       But not your heart away;

Give pearls away and rubies

       But keep your fancy free.”

But I was one-and-twenty,

       No use to talk to me.

When I was one-and-twenty

       I heard him say again,

“The heart out of the bosom

       Was never given in vain;

’Tis paid with sighs a plenty

       And sold for endless rue.”

And I am two-and-twenty,

       And oh, ’tis true, ’tis true.

Rereading these poems led me to Tom Stoppard’s brilliant modern play, The Invention of Love, which deals with Housman’s love for Jackson.  Interestingly, the two actors in the play portraying the young Housman and the older Housman, Robert Sean Leonard and Richard Easton, both won Tonys for portraying the same person in the same play at different ages.  If you like A Shropshire Lad, this play is well worth seeking out.

One final poem from A Shropshire Lad, the last poem, “LVIII”:

I hoed and trenched and weeded,

  And took the flowers to fair:

I brought them home unheeded;

  The hue was not the wear.

So up and down I sow them

  For lads like me to find,

When I shall lie below them,

  A dead man out of mind.

Some seed the birds devour,

  And some the season mars,

But here and there will flower

  The solitary stars.

And fields will yearly bear them

  As light-leaved spring comes on,

And luckless lads will wear them

  When I am dead and gone.